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the window to the garden

  • Dittico del Giardino - oil on canvas - cm. 80x240 - 2001
    Dittico del Giardino


  • Adirondack chair 1 - oil on canvas - cm. 50x40 - 2003
    Adirondack chair 1
  • Adirondack chair 2 - oil on canvas - cm. 50x40 - 2003
    Adirondack chair 2


  • Blu jacket in a chair - oil on canvas - cm. 110x110 - 1993
    Blu jacket in a chair


  • In giardino - oil on canvas - cm. 40x50 - 1999
    In giardino
  • Leggere - oil on canvas - 	cm.50x40 - 1999
    Leggere


  • Narciso - oil on canvas - cm. 120x70 - 2003/04
    Narciso
  •  E' difficile leggere in giardino - oil on canvas - cm. 60x60 - 2004
    E' difficile leggere in giardino


  • Le sedie Verdi - oil on canvas - cm. 70x60 - 2001
    Le sedie Verdi
  • Mattina - oil on canvas - cm. 80x160 - 1992
    Mattina


  • Piccola Fontana - oil on canvas - cm.  40x50 - 1999
    Piccola Fontana
  • Fontana con Gatto Nero - oil on canvas - cm. 120x120 - 2005/06
    Fontana con Gatto Nero
  • The pool - oil on canvas - cm. 60x100 - 2007
    The pool
  • The pool - oil on canvas - cm. 60x100 - 2007
    The pool


  • CIP - oil on canvas - cm. 60x60 - 2006
    CIP
  • Con Cip - oil on canvas - cm. 60x50 - 2006
    Con Cip
  • Fluffy - oil on canvas - cm. 50x60 - 2007
    Fluffy


  • Due col Cane - oil on canvas - cm. 120x120 - 2004
    Due col Cane
  • Cinque col Cane - oil on canvas - cm. 150x100 - 2004
    Cinque col Cane
  • Renault 4 - oil on canvas - cm. 50x35 - 1997
    Renault 4
  • the last glance - oil on canvas - cm.80x110 - 2005
    the last glance
  • Triciclo - oil on canvas - cm. 120x120 - 2004
    Triciclo
  • Micia sulla Sdraio - oil on canvas - cm. 40x50 - 2005
    Micia sulla Sdraio

Dogs and Cats are always welcome

Exhibit Lidia Bagnoli

Gallery Cramer

Refuges of quiet, oases of introspection, of hours of conversation and leisure, and not last, of northern Italy. Landscape colored paintings from the very first glance the accent of a strikingly painterly exhibit.  Lidia Bagnoli, who lives in Bologna and Milan, spoils the eyes with the sight of fruit groves, arcadian garden spots where time seems to stand still. Luminous impressions of nature and occasional stark contrast filled pieces of architecture create the frames for figurative scenes, the small dramas of every day, dialogues or one, sketched in a semiabstract manner, of a newspaper reader tarrying in a garden chair.  Dogs, but also cats are welcome guests in the technically cultivated, narrative-grounded  world created by these paintings.  With a touch of humour, drollery and irony the professor who teaches in Milan (subject: scenery design) reflects personal, intimate phenomena from country life and society.  The remarkable repertoire of differentiated light and shadow management, the strategies for creating rhythms, the neat arrangements and intensification of a senses and fantasy appealing oil color palette set the tone.